![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. ![]() The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Carmack & AbJo Release Date NovemView All Credits 1 Radio Silence Lyrics Intro. This cookie is set by GDPR Cookie Consent plugin. Talib Kweli Track 7 on Radio Silence Featuring Amber Coffman & Myka 9 Produced by Mr. These cookies ensure basic functionalities and security features of the website, anonymously. The album was preceded by four promotional audio releases: 'Let It Roll', 2 'She's My Hero', 3 'Heads Up Eyes Open' featuring Rick Ross and Yummy Bingham, 4 and 'Traveling Light' featuring Anderson. It was released on Novemthrough Talib's Javotti Media. ![]() He's made a nice to return to form, crafting a mature album that nods to his past without being a retread.Necessary cookies are absolutely essential for the website to function properly. Radio Silence is the eighth studio album by American rapper Talib Kweli. There's also the unforgivable "The Nature", with a thin, noiseome guest spot from Justin Timberlake, but Talib gets more right here than wrong. 1 (Deliver Us)", despite an excellent turn by Just Blaze, is unlikely to convince anyone that we need a revolution with lines like, "I call these rappers baby seals because they club you to death." Another track, meanwhile, features various people remembering when they first heard Talib and is an exercise in self-absorption.Īnd though Talib switches up his flow (see his double time rap on "Country Cousins") more than ever, he's still prone to rhythmless rambling (see how he ruins Pete Rock's excellent flip of Elton John's "Border Song" on "Holy Moly"). There are missteps: Modern hip-hop polemics have fallen out of favor in the light of this decade's faux-populism, and "Hostile Gospel Pt. It's heady, abstract stuff, but Talib fills in details with memories of childhood confusion. "Give 'Em Hell" is probably the most nuanced and effective example of this, as Talib questions both the rigidity and cultural bias of modern religion. This focus, more than the anti-mainstream rap screeds sprinkled here and there, allows Talib to weave personal struggles into a universal narrative. The album's opening track, "Everything Man", has a simulated thunder clap, while Madlib's "Soon the New Day" offers a slinking, twilight soul anchored by a hook from Norah Jones (yes, that Norah Jones).Īs with Common's Finding Forever, spirituality is a central theme on Eardrum. For the harder "Listen!!!", originally released to moderate success late last year, producer Kwame flips a Fred Williams sample beautifully, mixing it with back-masked voodoo, 808 interruptions, and dramatic string swells.Īnd while those songs are on opposing ends of hip-hop's stylistic spectrum, most of the production work on Eardrum mixes swooning gospel with carefully crafted r&b drama that nods towards 70s soul mavens Gamble & Huff or the stereo symphonic jazz of David Axelrod. ![]() Single "Hot Thing", produced by Will.I.Am, comes across like Quincy via Pharrell, while Talib runs down all the little things about the "sunshine of my life" that get him "stiff like a hieroglyph." Yeah, it's corny, but it's also catchy. There are also a handful of unapologetically pop songs, ones that are surprisingly good and (unlike Struggle's "I Try") don't merely try to revisit 2002 hit "Get By". The heartfelt, eager "Eat to Live" and appealing wispy "Country Cousins" recapture the quirky glory of early Reflection tracks, and fans will be pleased to hear there are no missteps such as "Back Off Me", where the conscious MC tried to affect a harder persona. He's also assembled an all-star cast of producers (Madlib, Kanye, Pete Rock, Just Blaze, Hi-Tek) who manage to make a cohesive album that points toward the gospel, soul, and hip-hop sounds that made the best of Kweli's solo work- Train of Thought and Quality- so enjoyable.Īfter experimenting with a harder persona on Beautiful Struggle, Talib seems to have accepted the fact that he's a nerd. The BK MC here sounds confident and relaxed- he doesn't try to knock it out of the park with every turn at bat, instead letting the album's themes and motifs slowly unfold over 20 tracks. The good news is that Talib rebounds on Eardrum, continuing a trend he began with Liberation, his net-only collaboration with Madlib. ![]()
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